From Publishers Weekly This fourth effort from British writer Winterson ( Sexing the Cherry ) is a high-concept erotic novelette， a Vox for the postmarital crowd. The narrator， a lifelong philanderer ("I used to think marriage was a plate-glass window just begging for a brick")， has fallen in love with Louise， a pre-Raphaelite beauty. Louise is unhappily married to a workaholi...(展开全部)

This is a love story and, like all Winterson's novels, a philosophical meditation, this time on the body: as the repository for our emotions and souls. The object is a married woman, Louise, and the narrator is her lover, gender undeclared. The affair intensifies beyond anything either of the lovers has ever known or hoped for. And as they dissect their passion and longing, Jea...(展开全部)

The most beguilingly seductive novel to date from the author of The Passion and Sexing the Cherry. Winterson chronicles the consuming affair between the narrator, who is given neither name nor gender, and the beloved, a complex and confused married woman. "At once a love story and a philosophical meditation."--New York Times Book Review.

The most beguilingly seductive novel to date from the author of The Passion and Sexing the Cherry. Winterson chronicles the consuming affair between the narrator, who is given neither name nor gender, and the beloved, a complex and confused married woman. "At once a love story and a philosophical meditation."--New York Times Book Review.

From Publishers Weekly This fourth effort from British writer Winterson ( Sexing the Cherry ) is a high-concept erotic novelette， a Vox for the postmarital crowd. The narrator， a lifelong philanderer ("I used to think marriage was a plate-glass window just begging for a brick")， has fallen in love with Louise， a pre-Raphaelite beauty. Louise is unhappily married to a workaholi...(展开全部)

This is a love story and, like all Winterson's novels, a philosophical meditation, this time on the body: as the repository for our emotions and souls. The object is a married woman, Louise, and the narrator is her lover, gender undeclared. The affair intensifies beyond anything either of the lovers has ever known or hoped for. And as they dissect their passion and longing, Jea...(展开全部)

This volume presents for the first time in English the work of one of the most important French theorists of today. The selection represents the whole of Schefer's career, from the 1960s, when he was influenced by structuralism, to his more lyrical and autobiographical essays of the 1990s, which meditate on the role of the spectator in relation to art practice. Schefer consider...(展开全部)

Buried beneath layers of flesh, our hearts pump, our lungs inflate, our kidneys filter. These organs, and others, are essential to our survival but remain largely unknown to us. In Beneath the Skin, fifteen writers each explore a different body part: Naomi Alderman unravels the intestines and our obsession with food; Thomas Lynch celebrates the womb as a miracle; AL Kennedy exp...(展开全部)

Christian parables have retained their force well beyond the sphere of religion; indeed, they share with much of modern literature their status as a form of address: Who hath ears to hear, let him hear.There is no message without there first being-or, more subtly, without there also being in the message itself-an address to a capacity or an aptitude for listening. This is not a...(展开全部)